Showing posts with label The Decemberists. Show all posts
Showing posts with label The Decemberists. Show all posts
Friday, December 2, 2011
Bon Iver, Decemberists, others nominated for 2012 Grammys
This year's Grammy Award nominations have been announced, and among those in the independent circle, Bon Iver came away with four nominations: Record of the Year, Song of the Year, Best New Artist, and Best Alternative Music Album. His song "Holocene" receives the nod for both record and song of the year.
A handful of nominations for other independent artists were also included in the list of Grammy candidates. Alongside Bon Iver, The Decemberists picked up nominations for Best Rock Performance and Best Rock Song for their track "Down By the Water." Wilco's album The Whole Love was nominated for Best Rock Album.
To view the full list of nominees you can check out the entire shortlist here.
Tuesday, May 17, 2011
The Decemberists release "The King is Dead"
88.1 WKNC’s Pick of the Week 1/26
By Sarah Hager, WKNC DJ
The Decemberists celebrated their decade of making music together with the Jan. 18 release of their sixth full-length album, The King is Dead.
The Portland, Ore. natives are known for their mix of indie, folk and rock music all packaged under the chilling yet soothing voice of Colin Meloy. The new album offers another genre blend that wasn't prominent on former albums. The influences of Americana and blues are unmistakable during each new track.
The six-piece band plays an array of over 14 instruments, including Hammond organ, piano, violin and harmonica. In addition to the band members, guests Peter Buck of R.E.M. and indie folk star Gillian Welch also appear on the new album. Despite the mass amount of instruments and bodies, each song has deep layers of music without any part of it sounding odd or random.
"Don't Carry It All" starts off the album with a blast from Meloy's harmonica to immediately set the mood of The King is Dead. All the instruments complement one another. Sara Watkins harmonizes with Meloy on the choruses, which turn out to be a common tool throughout the album.
The second track picks up the tempo and adds interesting lyrics, which are an aspect of The Decemberists that any fan immediately recognizes. Their lyrics consist of clever rhymes and vocabulary-building words virtually every time.
"Down By The Water" and "Rox in Box" are truer to older Decemberists music. The first features harder cymbals, harmonies in all the right places and musical build-ups to engage the listener. This is the one you'll sing along to first. The latter is also catchy, but has an older feel to it, laced with sharp guitar licks and accordion.
"January Hymn" reminds me of Dave Matthews Band. It's slower with heavy reliance on acoustic guitar and voice. Lyrics like "April, all an ocean away, is this the better way to spend the day/Keeping the winter at bay" paint a scene of someone deep in thought, retracing their choices. With a shaker acting as the only percussion, the listener focuses on the lyrics and gets lost in thought.
"This Is Why We Fight" is a track that has more rock than country. The lyrics are choppier and repetitive, making a point and getting straight to it. "Come the war/come hell" paired with a chorus containing "and when we die/we will die/with our arms unbound" has a political air to it. The last 45 seconds of the song feel like listening to someone playing guitar from another room.
Overall, this album was not what I was expecting, but I enjoyed it. They embrace their Americana roots and run with it. This is right up the alley of fans of Bob Dylan and Neil Young. The vocals, wide range of instrumentation, lyrics and genre variation will reach a wide listener range. Although it strays from the rockier center of traditional Decemberists music, The King is Dead is definitely worth a listen.
By Sarah Hager, WKNC DJ
The Portland, Ore. natives are known for their mix of indie, folk and rock music all packaged under the chilling yet soothing voice of Colin Meloy. The new album offers another genre blend that wasn't prominent on former albums. The influences of Americana and blues are unmistakable during each new track.
The six-piece band plays an array of over 14 instruments, including Hammond organ, piano, violin and harmonica. In addition to the band members, guests Peter Buck of R.E.M. and indie folk star Gillian Welch also appear on the new album. Despite the mass amount of instruments and bodies, each song has deep layers of music without any part of it sounding odd or random.
"Don't Carry It All" starts off the album with a blast from Meloy's harmonica to immediately set the mood of The King is Dead. All the instruments complement one another. Sara Watkins harmonizes with Meloy on the choruses, which turn out to be a common tool throughout the album.
The second track picks up the tempo and adds interesting lyrics, which are an aspect of The Decemberists that any fan immediately recognizes. Their lyrics consist of clever rhymes and vocabulary-building words virtually every time.
"Down By The Water" and "Rox in Box" are truer to older Decemberists music. The first features harder cymbals, harmonies in all the right places and musical build-ups to engage the listener. This is the one you'll sing along to first. The latter is also catchy, but has an older feel to it, laced with sharp guitar licks and accordion.
"January Hymn" reminds me of Dave Matthews Band. It's slower with heavy reliance on acoustic guitar and voice. Lyrics like "April, all an ocean away, is this the better way to spend the day/Keeping the winter at bay" paint a scene of someone deep in thought, retracing their choices. With a shaker acting as the only percussion, the listener focuses on the lyrics and gets lost in thought.
"This Is Why We Fight" is a track that has more rock than country. The lyrics are choppier and repetitive, making a point and getting straight to it. "Come the war/come hell" paired with a chorus containing "and when we die/we will die/with our arms unbound" has a political air to it. The last 45 seconds of the song feel like listening to someone playing guitar from another room.
Overall, this album was not what I was expecting, but I enjoyed it. They embrace their Americana roots and run with it. This is right up the alley of fans of Bob Dylan and Neil Young. The vocals, wide range of instrumentation, lyrics and genre variation will reach a wide listener range. Although it strays from the rockier center of traditional Decemberists music, The King is Dead is definitely worth a listen.
88.1 WKNC Pick of the Week is published every Wednesday in the print edition of Technician, as well as online at technicianonline.com and wknc.org.
Wednesday, March 9, 2011
The Decemberists are coming in June...and we have tickets!
The Decemberists have a busy summer ahead of them. Lucky for us, their whirlwind "Popes of Pendarvia World Tour" will bring them straight from Bonnaroo to our fair city for a Saturday, June 11 performance at the Raleigh Ampitheatre. Best Coast will join The Decemberists for this and at least three subsequent shows.
Because WKNC is so awesome, not only do we have five pair of tickets to bestow upon our lucky listeners, we have them well before the tickets actually go on sale. If you aren't one of the lucky ones, you can pick up your own pair starting Friday, March 18 at 10 a.m. via Live Nation.
Because WKNC is so awesome, not only do we have five pair of tickets to bestow upon our lucky listeners, we have them well before the tickets actually go on sale. If you aren't one of the lucky ones, you can pick up your own pair starting Friday, March 18 at 10 a.m. via Live Nation.
Friday, February 11, 2011
SoundOff12 Tennis/The Decemberists
http://interviews.wknc.org/soundoff12.mp3
Saturday, May 1, 2010
DJ Ones' Five Music Facts from the past week
1. Record Store Day 2010 broke records (get it?) as being the biggest one yet. Stores across the country reported their biggest sales dates of the year. (via Pitchfork)
2. Xiu Xiu wants your hair. Yes, the art-pop band wants locks of your hair for their upcoming music video. The idea is that you hand them locks of your hair at shows and get some swag from the band. Currently the band is planning on filming themselves lighting the hair on fire while saying the name of the person who the hair had belonged to and inhaling the smoke. Yep. (via Pitchfork)
3. The Kills report that they are three-fourths of the way complete with their follow-up with to 2008's "Midnight Boom." The band is planning on completing the album when Alison Mosshart finishes up touring with The Dead Weather. (via NME)
4. Guitarist Johnny Marr has unveiled plans to compose the soundtrack to the upcoming film by Tony Kratz, "The Big Bang." (via NME)
5. Front man of The Decemberists, Colin Meloy, is set to expand his writing career with a new deal with Harper-Collins. He is set to write three novels that are intended for a adolencent audience, much like his previous work books. (via Pitchfork)
Wednesday, June 3, 2009
The Decemberists' Chris Funk on WKNC This Thursday, June 4
Chris Funk, guitarist for The Decemberists, will be calling into the station for an interview this Thursday, June 4, at 11:30 am. Tune in to hear about the new record, The Hazards of Love, as well as what it was like going up against Stephen Colbert in a guitar shredding contest.
Please note the time change to 11:30 am.
Please note the time change to 11:30 am.
Wednesday, May 20, 2009
Ticket Giveaways This Week (May 18-22)
The Decemberists are coming to Raleigh's Memorial Auditorium June 4th and 88.1 has your chance to win tickets. Cat's Cradle is presenting the show so you know it's going to rock. Also on the giveaway menu:
- Clutch w/ Wino's Band and Maylene and the Disasters TONIGHT at Cat's Cradle
- Goodnight's Comedy Club and UAB present comedian John Oliver from The Daily Show this Saturday at Stewart Theatre in Tally Student Center, NCSU campus.
- Sneak preview passes for Drag Me To Hell on Tue., May 26th at Crossroads 20 in Cary
- Kennebec w/ Love Colt on Sat., May 30th at The Pour House
- Carolina Rollergirls double header on Sat., June 6th at Dorton Arena
Wednesday, April 1, 2009
88.1 WKNC Pick of the Week 3/31
The Decemberists present the 'complete' album with 'The Hazards of Love'
Seth White
The Decemberists have given me hope that the concept of an album is still alive. On their latest, The Hazards of Love, Colin Meloy and crew tell the dark story of two lovers, William and Margaret, and the two antagonists that attempt to foil their plans, the Queen and the Rake. The album's seventeen songs are perfectly crafted and woven together with common themes and solid transitions. In an interview with Paste Magazine, Meloy commented that Hazards was initially set to be a musical but then reinvented as a rock opera.
An instrumental prelude slowly starts off the album and blends into part one of the title track, there are four altogether. "The Hazards of Love 1" resembles their earlier works complete with acoustic picking, rich upright bass and well-read Meloy’s lyrics circling about “lithesome maidens.” This formula is immediately shed on the following song, "A Bower Scene." Here, distorted electric guitars thump power chords reminiscent of "Ziggy Stardust" or The Wall. What surprises me the most about this new sound is how well it actually works for the Decemberists, the changes from folk to rock are pulled off effortlessly here.
After an instrumental interlude about halfway through the album, "The Rake's Song" kicks in. An eerie song featuring thick drums about a widower murdering his children, he pays for that at the end of the album. Following this is "The Abduction of Margaret" -- here, the band revisits the sounds of "A Bower Scene" and pushes them to new boundaries.
Shara Morden of My Brightest Diamond is brought in to do the vocals of the Queen. Here, her voice is emotionally empowering and downright evil especially over prog-rock guitars on "The Queens Rebuke" and "The Wanting Comes in Waves." Along with Morden, the Decemberists brought in My Morning Jacket’s front man, Jim James, to help out with background vocals on various tracks.
The last track, "The Hazards of Love 4," brings the album to its tragic close as William and Margaret are swept off and drowned by the river. The song is a gentle finale with a wonderful steel guitar solo sandwiched in between the last duet by the two lovers.
There are drawbacks some might see to this take-it-or-leave it concept album. Each song flows right into the next leaving no real breaks -- great for an album but causes it to lack the singles of its predecessor, The Crane Wife. But for what it's worth, they aren’t missed here. As a whole, The Hazards of Love is a conceptual masterpiece from start to finish that Decemberists fans will cherish on their first listen.
Seth White
The Decemberists have given me hope that the concept of an album is still alive. On their latest, The Hazards of Love, Colin Meloy and crew tell the dark story of two lovers, William and Margaret, and the two antagonists that attempt to foil their plans, the Queen and the Rake. The album's seventeen songs are perfectly crafted and woven together with common themes and solid transitions. In an interview with Paste Magazine, Meloy commented that Hazards was initially set to be a musical but then reinvented as a rock opera.
An instrumental prelude slowly starts off the album and blends into part one of the title track, there are four altogether. "The Hazards of Love 1" resembles their earlier works complete with acoustic picking, rich upright bass and well-read Meloy’s lyrics circling about “lithesome maidens.” This formula is immediately shed on the following song, "A Bower Scene." Here, distorted electric guitars thump power chords reminiscent of "Ziggy Stardust" or The Wall. What surprises me the most about this new sound is how well it actually works for the Decemberists, the changes from folk to rock are pulled off effortlessly here.
After an instrumental interlude about halfway through the album, "The Rake's Song" kicks in. An eerie song featuring thick drums about a widower murdering his children, he pays for that at the end of the album. Following this is "The Abduction of Margaret" -- here, the band revisits the sounds of "A Bower Scene" and pushes them to new boundaries.
Shara Morden of My Brightest Diamond is brought in to do the vocals of the Queen. Here, her voice is emotionally empowering and downright evil especially over prog-rock guitars on "The Queens Rebuke" and "The Wanting Comes in Waves." Along with Morden, the Decemberists brought in My Morning Jacket’s front man, Jim James, to help out with background vocals on various tracks.
The last track, "The Hazards of Love 4," brings the album to its tragic close as William and Margaret are swept off and drowned by the river. The song is a gentle finale with a wonderful steel guitar solo sandwiched in between the last duet by the two lovers.
There are drawbacks some might see to this take-it-or-leave it concept album. Each song flows right into the next leaving no real breaks -- great for an album but causes it to lack the singles of its predecessor, The Crane Wife. But for what it's worth, they aren’t missed here. As a whole, The Hazards of Love is a conceptual masterpiece from start to finish that Decemberists fans will cherish on their first listen.
88.1 WKNC DJ Pick of the Week is published in every Tuesday print edition of the Technician, as well as online at technicianonline.com and wknc.org.
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