The Mountain Goats come home

On April 8, the Cat’s Cradle was bursting with excitement as two local legends came home to play together in one epic evening.  That night the lucky few who managed to get their hands on a ticket (the show sold out weeks in advance) got the opportunity to see the North Carolina-grown bands: Megafaun and The Mountain Goats. I arrived a bit late, just in time to see Megafaun play their last two songs. Even though those two songs were fantastic, I was disappointed to have missed the majority of their set, but I arrived just in time to see what I came for: John Darnielle and The Mountain Goats.

I doubt that even some of the most devoted Mountain Goats fans present could have anticipated just how fantastic of a show it was going to be. There were literally too many great moments to list, but I’ll do my best to outline the highlights.  The show consisted of a healthy mix of tracks off of the new album and old classics. Before playing ‘Birth of Serpents,’ John told a short story regarding the origin of the song. He talked about a time where he recently went to Portland and tried to reconnect with an old friend, only to find that his friend had been run over by a car and died the previous year. The audience fell to a hush and listened with an impenetrable attentiveness as the stage erupted in a cavalcade of emotion and sound.

As with most Mountain Goats shows, there was a segment in the middle where the band left the stage and John did a solo set.  The set began with someone in the audience shouting, “play My Favorite Things,” to which John shrugged, said ok, and launched into a funny unreleased track about Coltrane.  The show carried on with songs about vampires, women with mystical powers, and crystal meth.

For the last song of their set, The Mountain Goats asked Megafaun to join them on stage.  Both bands, accompanied by just about the entire audience, performed ‘This Year,’ and it seemed as if the entire Cat’s Cradle was pulsing to the beat of the song.  The band then returned for a four song encore, which included the fan favorite ‘No Children’ and ended with the entire crowd chanting “Hail Satan!” as they closed with ‘The Best Ever Death Metal Band in Denton.’

But that wasn’t all.  The band then returned to the stage for a second encore and played “California Song,” during which John left the stage for the night giving the other members of the band a chance to flex their skills. The show made for a truly magical night and is a memory that will surely be cherished by each and every fan that had the opportunity to make it that evening.

SoundOff18 The Rural Alberta Advantage/ The Mountain Goats

This week K'nuckles joins DJ Ones to review new albums by The Rural Alberta Advantage and The Mountain Goats.

http://interviews.wknc.org/soundoff18.mp3

DJ Ones' Five Music Facts from the past music week

http://www.youtube.com/watch?v=YN1f1pZqErU&feature=player_embedded

1. At SXSW Jack White unveiled his newest idea, the rolling record store. The record store on wheels, which sells Third Man Record albums, t-shirts, and other paraphernalia. (via Third Man Records)

2. Damon Albarn of Blur and Gorillaz fame, is set to star in a musical that he himself wrote. The play will be performed in London and will be based around a 16th century spy, John Dee. (via BBC)

3. It has been confirmed that there will be a collaboration between Radiohead frontman, Thome Yorke, and Doom. Not much else is currently available about their upcoming project. (via Pitchfork)

4. The Mountain Goats are doing their part to help raise money for Japan following the tsunamis. The band, which is currently auctioning a one track demo on ebay. All proceeds go towards helping Doctors Without Boarders. (via Pitchfork)

5. TV on the Radio have announced that bassist and keyboardist Gerard Smith has been diagnosed with lung cancer and is currently undergoing treatment. (via TV on the Radio)

Local Beat recap 7/30/10

Jenks Miller and Heather McEntire of Mount Moriah got stuck in heavy traffic on the way to the station, and, unfortunately, we only had around 12 minutes to chat about the band and their brand new limited edition 12" called The Letting Go during the first hour of the evening. We discussed the history of the band and their future as far as releasing their upcoming album is concerned. We also promoted their sold out show at the Pinhook with Midtown Dickens and the Mountain Goats Saturday, July 31. Jenks and Heather run Holidays for Quince Records, and each is in several different bands, including Un Deux Trois and Horseback, and are two of the busiest people I know. It was interesting to talk about their other projects in relation to Mount Moriah. Unfortunately, due to time constraints, I had to hold back many of the questions I had for them, but what we did talk about was certainly fascinating and worth a second listen:
Mount Moriah on The Local Beat 7/3/10

At 6 p.m., John Booker and Rachel Hirsh of I Was Totally Destroying It came in to promote their new 7" The Get Big 7", which is officially being released at Tir Na Nog this Thursday for Local Beer Local Band (alongside Museum Mouth, Jews & Catholics, and The Beast).  The new single is being released by their record label, Greyday Records and can be purchased at any local record store as well as online or at their shows. If you buy the vinyl, it comes with a digital download and bonus track! I also had to ask them about their band name and their answer might surprise you! Listen to our interview as we talked about the new release, IWTDI's upcoming shows, and their penchant for wearing costumes on stage:
IWTDI on the Local Beat 7/30/10

Alex Iglehart and Wylie Pamplin of Calico Haunts came in at 7 p.m. for their first-ever radio interview to promote their first show in Raleigh since 2007, which was at the Berkely Cafe Saturday evening. We also debuted some brand new songs from their upcoming record that is scheduled to be released in October this year. Many of you might be familiar with Calico Haunts last release After All, which was one of The Independent Weekly's albums of the month last year. Unfortunately, the band dissolved shortly after the release and little promotion was done for the record. A short time later the band was pieced back together and they started recording a follow up album only to have their work stolen two weeks before it was scheduled to be finished. With all of these mishaps you might think the band would throw in the towel. Listen below for their side of the story and their reactions:
Calico Haunts on the Local Beat 7/30/10

Local Beat preview 7/30/10

Can you believe it is already August?! Seven months of the Local Beat come and gone already in 2010 and almost exactly a year since I took over as host of the program. However, this Friday's show just might be one of the best ones yet.

At 5 p.m., we are starting off the show with Mount Moriah, a band I have been raving out for over a year since I first saw them at their second show ever back in May 2009. The group is releasing their first LP after debuting their first song "Lament" on the Holiday's For Quince Compilation Vol. 1, which has been getting airplay on WKNC.  The album is entitled Letting Go and is officially being released at the sold out show this Saturday July 31 at the Pinhook with Midtown Dickens and The Mountain Goats.  The 12" vinyl record will be released on the streets on August 3. We should have plenty to talk about and hopefully you will hear some new tunes!

I Was Totally Destroying It is coming in for the second hour. They are also playing Saturday evening at Cherry Bounce Festival in Raleigh but we will mostly be talking about their new 7" single "Get Big," which should be in the running for best album artwork of the year so far. We also have quite a bit to talk about, including their Sound Around app, their contribution to the Musical Chairs Compilation, and their U2 cover band. It should make for an entertaining hour!

For the final hour I am having in Wylie Pamplin and Alex Iglehart from Chapel Hill-based Calico Haunts who are making their radio interview debut. Calico Haunts put out one of 2010's best records with their After All album in the fall of 2009. They have just finished a new record and are planning to leak a couple of new tracks on the show! In addition, we will chat about their first ever Raleigh show at the Berkley Cafe with the Dead String Brothers on July 31.

As always the Local Beat starts at 5 p.m. and runs through 8 p.m. every Friday on WKNC.  Feel free to follow us on Twitter (@WKNCLocalBeat), ReverbNation, and Facebook.

Superchunk schools audience on the power of Rock and Roll

by Jacob and Spaceman Spiff



On Friday evening, the paragons of the independent age of music, Superchunk, played a night for the fans at the stage they helped build at the Cat’s Cradle.  The show was a warm-up for the summer music festival season and an east coast tour in the fall that will coincide with the release of their first full length album in nine years Majesty Shredding.   Fears that the show would highlight a laid back set from Superchunk stemming from the inclusion of Ryan Gustafson on the bill were quickly alleviated by Gustafson’s inclusion of friends from the Drughorse Collective to add a full band sound to his twangy pop.  Gustafson's set was fantastic, the crowd was dancing and bobbing heads in approval as he performed his catchy songs with heartfelt conviction.

Superchunk took the stage at 10:00 p.m. brimming with intensity, vitality and volume.  Mac McCaughan owned the stage with moves that would put most Guitar Hero avatars to shame, Laura Balance is still a master of control with the bass, Jon Wurster’s drums told the packed house when to dance and when to jump, and—self-deprecating humor aside—Jim Wilbur’s guitar knew the potpourri of songs spanning the bands 20+ career better than anyone in the room.  What really set the show apart was that the majority of the set wasn’t forged to promote an album or conform to the bands comfort zones, but it was instead fueled and filled with requests taken by the band over email from the previous week.  It was a thrill to hear "Slack Motherfucker," "Precision Auto," and "Water Wings" in the same evening, and fans responded with great fervor.

As the night wore on, the magnetic energy in the room became tangible.  Superchunk was good enough to preview two songs from their new album Digging For Something and Everything at Once.  John Darnielle of The Mountain Goats, who will be a guest on Majesty Shredding, came out to lend backup vocals to "Digging For Something" and was in the envious position of getting to dance around on stage with Superchunk.  An easy highlight of the evening, the fast and furious "Everything at Once" may be giving fans’ favorite songs a run for their money.  The only downside of the night was that it took the tech crew at the Cradle the first three songs of Superchunk’s set to blend the audio levels properly, but this may be a testament to the band's rowdy enthusiasm. For an hour and a half they rocked hard, and we were all mesmerized.

Superchunk's setlist:

1. Tower

2. For Tension

3. Skip Steps 1&3

4. Learned To Surf

5. Digging For Something (ft. John Darnielle)

6. Ribbon

7. Sidewalk

8. I Guess I Remembered It Wrong

9. Florida's On Fire

10. Water Wings

11. European Medicine

12. Package Thief

13. Everything At Once

14. Precision Auto

Encore:

15. On The Mouth

16. From The Curve

17. Slack Motherfucker

Encore 2:

18. Hyper Enough (ft. John Darnielle)

19. Throwing Things

DBB Feature #6: Bowerbirds

Ever since the release of Hymns for a Dark Horse on local label Burlytime Records, Bowerbirds have been destined for big things. In short order, the record garnered glowing reviews from indie trendsetters Pitchfork Media and Prefix magazine and rose to the top of WKNC's indie rock charts. Within a year they were signed to big-time indie-folk imprint Dead Oceans (part of Secretly Canadian/Jagjaguwar) and went on to tour with the Mountain Goats. Simply put, the Bowerbirds rose through the ranks of the music world at a meteoric rate.

Bowerbirds' music is characterized by uniquely minimalist arrangements and melodies paired to stream-of-consciousness lyrics, and their debut LP is a concept album of sorts; its 12 songs discuss the conflicts of civilization versus the nature and humanity.

Naturally, with such material, you might consider Bowerbirds to be a 'cause band,' and, indeed, they tackle the subject of environmentalism with fairly blunt words. Through clever songwriting, though, they avoid the adversarial tone that so many bands with a cause seem to convey; instead, they radiate an earthy idealism that wouldn't seem too out of place in a Thoreau novel.

Nowhere is it more clear that Bowerbirds is an exceptional band than in concert. With even more sparce instrumentation than in thier album, they manage to create an even more full sound. They will be the final performers Friday night at the Double Barrel Benefit, taking the stage after Schooner.

John Darnielle, Bon Iver, & Alina Simone In USAToday Top 100

Perhaps its time to stop placing Bon Iver and Alina Simone in the Local category, but its not time to stop giving them any attention.   And hey, we can still call John Darnielle our own right?  All three cracked the top 100 of USATodays Pop Candy 2008 People of the Year poll, compiled by Whitney Matheson.

The purpose of USAToday's Pop Candy is to "unwrap pop culture's hip and hidden secrets."  No secret to us or our listeners though, these three can all claim some citizenship to WKNC and the Triangle.

Bon Iver (aka Justin Vernon) comes from DeYarmond Edison, transplanted band from Eau Claire, Wisconsin.  Vernon left the band a year after moving to Raleigh, and Megafaun was born of the remaining members (Brad and Phil Cook, and Joe Westerlund).  We are still thanking Justin for that, and also for his latest release For Emma, Forever Ago which has scorched the airwaves all over America in the past year (I still listen to "Blindsided" about once a day).  Matheson put the band at #88 on her list with the kind words:

"The band, led by singer-songwriter Justin Vernon, transfixed fans of all ages with a winning debut, For Emma, Forever Ago, and must-see live performances. "

Look for Bon Iver's Blood Bank EP to hit the shelves January 20th (if you havnt already gotten an illegal copy that seems to have found its way to every wanna-be pirate website on the net- just google it).

Alina Simone claims to preside in Brooklyn, but we in North Carolina know better.  Her unique brand of alternative folk/indie/ukrainish-punk (whatever it is) can be heard many times live throughout the Triangle during any given year.  Lets all convince her to just move down permanently.  Matheson made her #83 on the list saying:

"It's true that I can't decipher what Simone sings on her latest record, Everyone is Crying Out to Me Beware. But the singer's emotions come through on this powerful tribute to Russian punk/folk musician Yanka Dyagileva. "

Not familiar with John Darnielle?  How about the Mountain Goats?  Thats what I thought.  Darnielle concieved the Durham based band in 1991 while in college in California.  Interestingly enough, he didn't make Matheson's list for his music, but rather for his book Master of Reality.  He is #79 on the list:

"While he's best known for his band, The Mountain Goats, this year the musician grabbed my attention with his book about Black Sabbath's Master of Reality. Instead of delivering a dry history of the record for Continuum's 33 1/3 series, he penned a moving, fictional account of a metal-loving teen trapped in a mental hospital. By the end, readers get a sense of why the music matters -- and feel an overwhelming urge to spin some Sabbath."

Matheson forgot to mention that Darnielle used to work as a psychiatric nurse.

As of today, there are still 50 more spots to go, and while I normally disregard polls such as this, its always nice to find those North Carolina gems getting some hard earned recgonition.  So congrats!