Acclaimed Cellist Ben Sollee to Interview on WKNC May 10

 

One of my favorite musicians, Ben Sollee, will be coming by the station on May 10  at 1 p.m. for an in-studio performance and interview before his show at Kings Barcade (Cat's Cradle Presents). Sollee's music is inspired by his Kentucky roots, but spans genres from folk to jazz, carried by his syncopated rhythms and smooth voice.

You may recognize Ben Sollee from his work with Daniel Martin Moore on Dear Companion, an album speaking out against Mountain Top Removal and preserving their Appalachian homes. This album was produced by Yim Yames of Monsters of Folk and My Morning Jacket.

Sollee joined other acclaimed genre-bending artists Casey Driessen, Bela Fleck, Abigail Washburn to form the Sparrow Quartet. This group was defined by intense instrumentation, worldly themes, and the tenor of Abigail Washburn.

If You're Going to Lead my Country, Something Worth Keeping, Learning to Bend, and Inclusions are Sollee's  solo EPs and LPs, respectively. These albums feature his political lyrics, blues-infused voice, and friends joining in on saxophones, percussion, and other instruments on many songs.  This show on May 10 at Kings Barcade marks one year since Inclusions was released.



Ben Sollee is different from many other "green" celebrities in that he lives the lifestyle to the best of his ability, showcased in his "Ditch the Van" Bike Tour.  Strapping the cello and other equipment to a tiny trailer attached to his bike, he has traveled to dozens of shows and thousands of miles with a much smaller carbon footprint than other touring artists.

Sollee is no stranger to the area, opening for The Rosebuds at a Hopscotch 2011 Day Party and an awesome show at Casbah in Durham.  I hope he likes the new bike lanes on Hillsborough Street.

Tune in to hear what I'm sure will be an amazing live in-studio performance and interview. If you have any questions for Ben, leave them as a comment or tweet them at us (@WKNC881) during the interview on May 10 from 1 -1:45 p.m.  Be sure to check out his performance at Kings Barcade May 10.

Listen to Americana Blues and Company on May 5 and the interview May 10 to win tickets to the show!

Gillian Welch and David Rawlings Bring Melancholy Folk to NCMA

Wow. Take all your expectations of Gillian Welch's mournful voice and David Rawlings's flawless guitar riffs from your favorite albums, whether it be the most recent The Harrow and the Harvest or the now 14 year-old Revival, and sum them all into one balmy evening. If you add a bit more guitar and bit more emotion, as well as interjections from Gillian and David, you just might have what we had the pleasure of experiencing August 3 at the North Carolina Museum of Art.

Fans from all walks of life were pleased-- old fans who had been with Gil since the beginning, or new hip 20-somethings who heard them on NPR. There were children with mothers, falling asleep to the lullaby sounds of slower numbers, and curly-topped youngsters bouncing to the banjo lines, and of course, the Rawlings tune "Sweet Tooth". The brief rain couldn't put a damper on anyone, not even Gillian and David. They were pleased with the temperature drop and claimed it wasn't raining, just "really humid". The rain brought more people to the front, some to dance, others to take cover in the overhang, and more still just to get closer to their folk idols. As a huge Gillian Welch fan, this was probably one of the best shows I've been to so far this year. Local artists came out, surely paying homage to one of their influences-- I think I saw some members from Kickin' Grass Band, Mandolin Orange, and Midtown Dickens.

Gillian and David get the award for mixing the new and the old impeccably. The crowd was especially pleased with "Red Clay Halo", "Caleb Meyer", and of course, "Orphan Girl" was requested at least a dozen times (though, notably, not performed). As an Ohio native, one of my favorites was "Look at Miss Ohio," closely followed by one of the encores "Six White Horses". Their minimalist sound and traditional instrumentation was perfect for this North Carolinian show, providing a sense of belonging when playing "Tear my Stillhouse Down".

I will admit that I probably cried at least twice during the show, enjoying Welch's melancholy melodies and bittersweet harmonies of Rawlings. I wanted to quit looking like such a wuss  so I started focusing on the precision of David's guitar. Then I got caught in a predicament-- whether to focus on the guitar or the vocals. I was soon comforted by a fellow DJ's insight; Gillian's voice and David's guitar complete each other. Awww.

This was the third of four shows I plan on attending at the North Carolina Museum of Art this summer; the line up has been so amazing. Check out blogs about Bela Fleck, Lucinda Williams, and soon to come, The Carolina Chocolate Drops.  As always, if you're looking for the best in Americana, tune in to Americana, Blues, and Company every Saturday from 10-noon.