This is a personal artist spotlight on Marnie Stern by C'est La Bri for Hopscotch.
I became googly eyed over Marnie Stern in the tenth grade, when my cooler-than-I-was boyfriend made me a mixed tape with “Prime” off of This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That. It became the track I played on repeat until I could get all of the words and rhythms down from its off-kilter chaos.
While past releases have excelled in dizzying their listeners, her most recent album, The Chronicles of Marnia, has less cluttered tracks aimed to put her masterful finger tapping to the task of conveying a whimsical indie-pop Stern. This new album creates a distinction of sounds in tapping versus the past of layering and confusion. But this isn’t taking away from the musicianship of Stern’s guitar writing- it’s highlighting her new philosophy on songwriting and composition.
And make no doubt about it, Marnie Stern is a show you can’t miss at Hopscotch this year. She brings with her an energy that makes a festival worth seeing. This year’s festival is a study on dynamic- you’ve got an artist like Stern on a lineup with Angel Olsen. High Highs are playing the same gig as Sleep. So if you’re going to Hopscotch for some diversity, Marnie Stern is definite must-see.
Favorite Track: “Prime” on This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That
Playing: Lincoln Theatre Thursday, September 5th 11:30PM- 12:30AM
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