Future Islands to be on WKNC this Friday

If you’ve been in the Triangle for any number of years like I have, then you’ve likely seen Future Islands play. Their dark-wave synth dance music is addicting and the experience is an intoxicating modern take on Shakespeare. Their live performances never leave the crowd unsatisfied. Band members Gerrit Welmers, William Cashion and Samuel T Herring have moved the band from Greenville to Raleigh and most recently to Baltimore where they quickly became part of Dan Deacon’s artist collective, Wham City. However, the Triangle has been an important middle ground for Future Islands. Kind of like the lunch room in middle school where that delicate mix of young minds are eager to find other young minds, the triangle has provided this cultivation for collaboration.

I'll sit down with the band Friday and talk about their voyage. Tune in to hear tracks from their discography and old favorites from their first project, Art Lord and The Self Portraits.  And if you have any stories or experiences from a Future Islands show that you'd like to share, please email them to kelly@wknc.org. We'll take it to the airwaves with the band. They will be at the WKNC studio Friday for an on-air interview at 4 p.m. The band is touring in support of their recent release, “In Evening Air.” The release is their second LP and first on the Chicago Indie Label, Thrill Jockey.

Future Islands will be headlining at the Local 506 this Friday with additional acts: EAR PWR, Nuclear Power Pants, and Fat Camp.

Listen only on 88.1FM or streaming online.

Lately, All I Want Is Local Music

I haven't had the chance to do much music buying lately, as my bank account's been slightly restricting as of late. However, my birthday is this coming weekend (Valentine's day, a blessing and a curse) and I'm using that as an excuse to head over to Schoolkids and buy me some new jams. What kind of jams? Well, there's only three non-local records that are on my list right now (new ones from Animal Collective, Antony & The Johnsons, and Bon Iver). There are several local records, however, that I really want. First off, there's Hymns For A Dark Horse and Bury The Square, the debut records by Bowerbirds and Megafaun, respectively (Megafaun have a new one on the way and if the new songs they played the Cat's Cradle show I caught recently are any indication, this one will be just as great as the first). I'm headed up to Boone this coming weekend and both bands' take on folk (Bowerbirds' being dark and haunting, Megafaun abstract and rambling, both reflective) would serve as an excellent soundtrack to a weekend driving around the mountains. Then there's the new debut from The Love Language, with their excellent lo-fi take on 50's pop. Lonnie Walker, with their rambling folk rock, are quickly becoming one of my favorite bands, and I'm holding my breath waiting for the release of their debut record, as well as the new one Schooner is working on.

One of my favorite releases of the past decade was Hotel Lights' self-titled debut, full of melancholy and beautiful folk-pop gems. I've spun their new one, Firecracker People, on my show a few times, but have yet to pick the record up This must change, as everything I have heard off the record has been excellent. I've managed to catch EAR PWR's dance party live show three times within the past couple months, and am dying to pick up some of their records. Same goes for Greenville ex-pats Future Islands (who also have some great new songs). There are great new records from David Karsten Daniels and Gray Young.

My record collection is calling out for the wonderful, Cat Power-like musings of Alina Simone. New ones from I Was Totally Destroying It and The ExMonkeys are on their way. The fact of the matter is, out of all the new records coming out, for the most part, the best ones seem to be coming either from acts right here in North Carolina or NC ex-pats. And that's saying something. Time to go buy me some records